1 00:02:20,040 --> 00:02:21,201 I'm sorry. I'm sorry. 2 00:02:21,400 --> 00:02:23,084 No. Stay. 3 00:02:28,640 --> 00:02:29,971 What's your name? 4 00:02:30,480 --> 00:02:31,641 Andrew Neiman, sir. 5 00:02:32,280 --> 00:02:33,406 What year are you? 6 00:02:34,120 --> 00:02:35,531 I'm first year. 7 00:02:36,080 --> 00:02:38,890 Do you know who I am? Yes, sir. 8 00:02:39,520 --> 00:02:41,841 So you know I'm looking for players. 9 00:02:42,640 --> 00:02:44,130 Yes, sir. 10 00:02:44,560 --> 00:02:46,289 Then why did you stop playing? 11 00:03:05,720 --> 00:03:07,563 Did I ask you to start playing? 12 00:03:07,880 --> 00:03:10,451 Sorry, I... I asked why you stopped playing, 13 00:03:10,640 --> 00:03:13,644 and your answer was to turn into a wind-up monkey. 14 00:03:14,240 --> 00:03:16,641 Sorry, I thought... Show me your rudiments. 15 00:03:16,880 --> 00:03:18,405 Yes, sir. 16 00:03:23,960 --> 00:03:25,530 Double-time swing. 17 00:03:28,240 --> 00:03:31,084 No, double-time. Double it. 18 00:03:31,600 --> 00:03:34,331 Faster. Faster. 19 00:03:52,520 --> 00:03:54,284 Oopsy-daisy. 20 00:03:54,480 --> 00:03:56,323 Forgot my jacket. 21 00:05:15,040 --> 00:05:16,963 No Swedish Fish? No, not today. 22 00:05:19,000 --> 00:05:20,570 Thanks. Mm-hm. 23 00:05:30,720 --> 00:05:33,644 You okay? Hm? Yeah. 24 00:05:41,040 --> 00:05:43,771 Yeah. Well, I don't know. He saw me play today. 25 00:05:45,160 --> 00:05:46,730 And? 26 00:05:47,840 --> 00:05:49,285 Mm. 27 00:05:50,000 --> 00:05:53,129 Well, you got plenty of options still. 28 00:05:53,440 --> 00:05:55,363 What does that mean? Just... 29 00:05:55,560 --> 00:05:57,369 Other options? Just, you know... 30 00:05:59,520 --> 00:06:00,806 It's just life. 31 00:06:01,440 --> 00:06:04,284 Listen, when you get to be my age, you get perspective. 32 00:06:04,480 --> 00:06:07,086 I don't want perspective. 33 00:06:07,280 --> 00:06:08,566 Sorry. 34 00:06:14,280 --> 00:06:15,725 All right. 35 00:06:17,280 --> 00:06:19,442 I don't want the Raisinets. 36 00:06:20,760 --> 00:06:22,250 Why didn't you say that? 37 00:06:22,480 --> 00:06:24,608 I just eat around them. 38 00:06:27,920 --> 00:06:29,285 I don't understand you. 39 00:07:03,880 --> 00:07:07,123 Bye. I'll see you later. Bye. 40 00:07:15,640 --> 00:07:18,325 My man, Ry. Oh, shit. 41 00:07:18,520 --> 00:07:20,045 How you feeling, man? 42 00:07:20,240 --> 00:07:22,049 It's been too long. Been too long. 43 00:07:22,240 --> 00:07:24,527 Things were hurting with Neiman on the kits. 44 00:07:24,720 --> 00:07:25,767 Come on, man. 45 00:07:26,000 --> 00:07:27,923 - What? - He's fine. 46 00:07:28,600 --> 00:07:30,602 - If you say so. Good seeing you. - Yeah. 47 00:07:30,840 --> 00:07:31,966 Yo, looking good. 48 00:07:33,760 --> 00:07:34,807 What's up? Hey. 49 00:07:35,000 --> 00:07:36,684 Good weekend? Yeah, real good. 50 00:07:36,880 --> 00:07:38,245 Yeah? Yeah. Lot of fun. 51 00:07:38,440 --> 00:07:39,566 Nice. 52 00:07:40,080 --> 00:07:43,084 Hey, don't worry about Greg. Kid's a dick. 53 00:07:43,280 --> 00:07:44,327 Oh. 54 00:07:44,560 --> 00:07:46,801 No big deal. Good morning, everybody. 55 00:07:49,640 --> 00:07:50,971 Good morning, everybody. 56 00:07:51,160 --> 00:07:52,760 - Good morning. - All right. 57 00:07:52,880 --> 00:07:57,329 Let's do "Billy Zane" from the top, yes? Yes? 58 00:07:58,960 --> 00:08:00,689 - How's that? Good? - Little right. 59 00:08:00,880 --> 00:08:02,803 One, two, three, unh... Okay. 60 00:08:15,000 --> 00:08:16,047 Wait. Whoa, whoa, whoa. 61 00:08:17,160 --> 00:08:19,481 All right, let's do reeds, yeah? 62 00:08:19,720 --> 00:08:21,290 Three. Yo, Ryan. 63 00:08:22,160 --> 00:08:23,844 Watch it. 64 00:08:24,320 --> 00:08:25,970 Yeah. 65 00:08:26,240 --> 00:08:28,129 Accent, yeah... 66 00:08:34,040 --> 00:08:35,087 Not today. 67 00:08:35,320 --> 00:08:37,320 - Big on the bottom. - Put some sugar on it. 68 00:08:38,440 --> 00:08:40,727 You embarrass yourself like what's-his-face. 69 00:08:40,920 --> 00:08:43,127 That was truly pathetic. 70 00:10:14,040 --> 00:10:15,690 Short. 71 00:10:20,360 --> 00:10:21,521 All right. All right. 72 00:10:22,640 --> 00:10:25,723 That's enough of that. Just back to the core drums, please. 73 00:10:26,560 --> 00:10:28,767 Core players, let's go. 74 00:10:31,040 --> 00:10:33,441 Dude, what have you been practicing? 75 00:10:43,840 --> 00:10:45,205 May I? 76 00:10:56,240 --> 00:10:57,651 Cute. 77 00:10:58,200 --> 00:11:00,601 Down the line. Trumpets, bars seven and eight. 78 00:11:00,840 --> 00:11:02,524 Three, four. 79 00:11:06,000 --> 00:11:07,331 Three, four. 80 00:11:07,560 --> 00:11:09,210 Okay. All right. 81 00:11:09,400 --> 00:11:13,041 Trombone, bar 24. The and of two. 82 00:11:13,240 --> 00:11:14,287 Maybe not. 83 00:11:14,520 --> 00:11:16,921 Tenor, let's start the pickup to 11. 84 00:11:17,120 --> 00:11:18,884 Three, four. 85 00:11:21,040 --> 00:11:24,010 Same spot. Three, four. 86 00:11:24,720 --> 00:11:25,846 Okay. All right. 87 00:11:26,080 --> 00:11:29,482 You're in the first chair. Let's see if it's because you're cute. 88 00:11:29,680 --> 00:11:31,523 Three, four. 89 00:11:31,720 --> 00:11:33,484 Yep. That's why. 90 00:11:33,680 --> 00:11:38,925 Drums. Let's hear a little double-time swing. 91 00:11:42,720 --> 00:11:44,210 Behind. 92 00:11:45,600 --> 00:11:47,090 Same thing. 93 00:11:52,480 --> 00:11:54,767 Bass, five bars of "Donna Lee." 94 00:12:00,080 --> 00:12:01,605 All right. 95 00:12:06,360 --> 00:12:07,441 Drums, with me. 96 00:12:08,200 --> 00:12:09,850 Thank you, Joe. 97 00:12:10,760 --> 00:12:13,047 No, no, no. Other drums. 98 00:12:28,440 --> 00:12:32,968 Room B-16 tomorrow morning, 6:00 a.m. Don't be late. 99 00:12:40,320 --> 00:12:42,926 All right, everybody, from the top. 100 00:12:48,280 --> 00:12:49,770 A-one, two, three, unh... 101 00:13:00,800 --> 00:13:01,847 Hey. How are you? 102 00:13:02,040 --> 00:13:03,883 Good. How are you? Good, thanks. 103 00:13:04,080 --> 00:13:05,366 Good. 104 00:13:05,520 --> 00:13:08,603 Uh, the usual? You want, like...? No. 105 00:13:08,880 --> 00:13:12,282 Look, I don't really know how... 106 00:13:13,360 --> 00:13:17,285 I see you in here a lot, and I think that you're really pretty and... 107 00:13:17,520 --> 00:13:21,969 Would you wanna go out with me ever? 108 00:13:22,640 --> 00:13:24,449 Please go away. 109 00:13:25,480 --> 00:13:26,527 Oh, God. Get out. 110 00:13:26,720 --> 00:13:30,202 I'm so sorry. I'm so sorry. I'm just messing with you. 111 00:13:30,400 --> 00:13:34,450 I'm messing with you. Ha, ha. What? Oh, my God. 112 00:13:34,600 --> 00:13:36,489 Ha-ha-ha. I'm sorry. 113 00:13:36,680 --> 00:13:39,684 That's actually pretty mean. That should've... I'm sorry. 114 00:13:39,920 --> 00:13:41,968 I didn't mean to hurt your feelings. 115 00:13:42,160 --> 00:13:44,447 What's your name? It's okay. No big deal. 116 00:13:44,640 --> 00:13:45,721 Oh, I'm Andrew. 117 00:13:45,920 --> 00:13:47,285 Andrew. Yeah. 118 00:13:47,480 --> 00:13:49,687 I'm Nicole. Nice to meet you, Nicole. 119 00:13:49,880 --> 00:13:51,723 Nice to meet you too. 120 00:13:51,920 --> 00:13:55,845 So you wanna take me out. I would love to take you out. 121 00:13:56,000 --> 00:13:58,287 Where do you wanna go? Pizza. 122 00:13:58,520 --> 00:13:59,760 Pizza. Yeah. 123 00:13:59,960 --> 00:14:02,804 I like pizza. Yeah, I know this great pizza place. 124 00:14:03,000 --> 00:14:05,924 Cool. Okay, well... 125 00:14:06,120 --> 00:14:07,451 Uh... 126 00:14:08,280 --> 00:14:11,682 I get off at 7 on Monday. 127 00:14:11,880 --> 00:14:15,168 Okay. You wanna meet here? 128 00:14:15,360 --> 00:14:17,761 Okay. Yeah. I will. Yeah. 129 00:14:18,000 --> 00:14:19,525 Great. 130 00:14:19,800 --> 00:14:21,484 Okay. Seven o'clock? 131 00:14:21,640 --> 00:14:23,290 Mm-hm. Here. At 7 p.m. 132 00:14:23,480 --> 00:14:25,482 Monday. Andrew. All right. 133 00:14:25,680 --> 00:14:27,284 Bye. Bye. 134 00:14:27,880 --> 00:14:31,407 ♪ Keep me waiting ♪ 135 00:14:31,800 --> 00:14:39,800 ♪ 'Cause I'll keep waiting ♪ 136 00:15:31,240 --> 00:15:34,801 It's not that bad. She's a go-go dancer. Could've did porn, she chose not to. 137 00:15:35,000 --> 00:15:37,401 - That make it better? - Yeah, little bit. 138 00:15:37,600 --> 00:15:39,762 - That's classier. - I can deal with that. 139 00:15:48,560 --> 00:15:51,291 Bitch had a foot fetish or something. 140 00:15:54,360 --> 00:15:56,089 - This is good. - You get on that? 141 00:15:57,560 --> 00:15:58,971 That's it. 142 00:15:59,240 --> 00:16:01,083 You are fucking kidding me. 143 00:16:03,760 --> 00:16:06,081 You the new alternate? Yeah. I'm Andrew Neiman. 144 00:16:06,280 --> 00:16:08,647 Tune the set to B-flat, then turn my pages. 145 00:16:08,840 --> 00:16:10,330 Sure. 146 00:16:11,800 --> 00:16:14,963 Excuse me. Um, could I get a B-flat? 147 00:16:15,520 --> 00:16:17,124 Thank you. 148 00:16:22,400 --> 00:16:24,926 Sorry. Can you...? Just one more time? 149 00:16:35,720 --> 00:16:37,722 That's a great kit. 150 00:16:37,920 --> 00:16:39,570 I play the new cymbals now. 151 00:16:39,760 --> 00:16:40,966 Milk the cunt! 152 00:17:42,240 --> 00:17:45,642 We got a squeaker today, people. Neiman. 153 00:17:45,840 --> 00:17:49,083 Nineteen years old. Isn't he cute? 154 00:17:52,840 --> 00:17:54,330 All right, gang, "Whiplash." 155 00:18:39,200 --> 00:18:41,646 Page. Page! 156 00:18:49,880 --> 00:18:53,123 Barker, that is not your boyfriend's dick. Do not come early. 157 00:18:53,480 --> 00:18:55,642 Bar 93. 158 00:18:58,640 --> 00:19:00,404 Five, six, and... 159 00:19:35,960 --> 00:19:37,530 Stop. 160 00:19:38,080 --> 00:19:42,369 Now, this one really upsets me. We have an out-of-tune player here. 161 00:19:43,320 --> 00:19:47,325 Before I continue, would that player care to identify himself? 162 00:19:49,400 --> 00:19:50,765 No? 163 00:19:51,040 --> 00:19:53,691 Okay, maybe a bug flew in my ear. 164 00:19:54,480 --> 00:19:56,528 One-fifteen. 165 00:19:58,120 --> 00:19:59,121 Five, six, and... 166 00:20:02,200 --> 00:20:03,804 No. My ears are fine. 167 00:20:04,000 --> 00:20:07,482 We definitely have an out-of-tune player. 168 00:20:07,720 --> 00:20:10,849 Whoever it is, this is your last chance. 169 00:20:12,960 --> 00:20:14,405 And there it went. 170 00:20:14,600 --> 00:20:17,729 Now, either you are deliberately playing out of tune, 171 00:20:17,920 --> 00:20:20,571 and sabotaging my band, 172 00:20:20,760 --> 00:20:23,331 or you don't know you're out of tune, 173 00:20:23,640 --> 00:20:26,803 which I'm afraid is even worse. 174 00:20:29,920 --> 00:20:31,081 Reeds. 175 00:20:31,280 --> 00:20:32,441 Five, six, and... 176 00:20:34,520 --> 00:20:36,170 Bones. 177 00:20:37,520 --> 00:20:38,760 Five, six, and... 178 00:20:42,000 --> 00:20:43,729 He's here. 179 00:20:56,240 --> 00:20:58,208 Tell me it's not you, Elmer Fudd. 180 00:21:11,600 --> 00:21:14,604 It's okay. Play. 181 00:21:22,880 --> 00:21:24,530 Do you think you're out of tune? 182 00:21:30,720 --> 00:21:34,088 There's no fucking Mars bar down there. What are you looking at? 183 00:21:34,280 --> 00:21:36,931 Look up here. Look at me. 184 00:21:38,600 --> 00:21:42,047 Do you think you're out of tune? 185 00:21:44,520 --> 00:21:46,841 Um... 186 00:21:47,560 --> 00:21:49,130 Yes. 187 00:21:50,320 --> 00:21:53,324 Then why the fuck didn't you say so? 188 00:21:55,680 --> 00:21:57,489 I've carried your fat ass for too long. 189 00:21:57,680 --> 00:21:59,444 I won't have you cost us a competition 190 00:21:59,640 --> 00:22:02,371 because your mind's on a Happy Meal instead of on pitch. 191 00:22:02,600 --> 00:22:04,648 Jackson, congratulations, you're fourth chair. 192 00:22:04,880 --> 00:22:08,327 Metz, why are you still sitting there? Get the fuck out! 193 00:22:27,040 --> 00:22:30,522 For the record, Metz wasn't out of tune. You were, Erickson. 194 00:22:31,280 --> 00:22:32,645 But he didn't know, 195 00:22:32,960 --> 00:22:35,042 and that's bad enough. 196 00:22:38,160 --> 00:22:41,369 All right, take 10. When we get back, the squeaker's on. 197 00:22:51,440 --> 00:22:53,727 Two, two, three. Two, two, three. 198 00:22:54,680 --> 00:22:58,730 If he put half the effort into playing the trombone... 199 00:23:02,320 --> 00:23:04,004 Andrew. 200 00:23:07,560 --> 00:23:10,211 Parents musicians? No. 201 00:23:10,400 --> 00:23:14,007 What do they do? My dad's a writer. 202 00:23:14,240 --> 00:23:15,321 Oh, what's he written? 203 00:23:16,200 --> 00:23:19,204 I guess he's more of a teacher, really. Oh. 204 00:23:19,520 --> 00:23:22,000 College? Pennington High School. 205 00:23:23,800 --> 00:23:27,850 Your mother, what does she do? I don't know. She left when I was a baby. 206 00:23:28,320 --> 00:23:29,845 No musicians in the family? 207 00:23:31,520 --> 00:23:33,727 You just gotta listen to the greats, then. 208 00:23:34,040 --> 00:23:36,805 Buddy Rich, Jo Jones... 209 00:23:37,200 --> 00:23:41,125 You know, Charlie Parker became Bird 210 00:23:41,320 --> 00:23:44,483 because Jones threw a cymbal at his head. 211 00:23:45,120 --> 00:23:46,884 See what I'm saying? Mm-hm. 212 00:23:47,920 --> 00:23:50,287 Listen, the key is to just relax. 213 00:23:51,000 --> 00:23:52,843 Don't worry about the numbers. 214 00:23:53,040 --> 00:23:55,611 Don't worry about what other guys are thinking. 215 00:23:57,120 --> 00:23:59,202 You're here for a reason. 216 00:23:59,720 --> 00:24:01,768 You believe that, right? 217 00:24:02,400 --> 00:24:03,765 Yeah. 218 00:24:05,560 --> 00:24:07,130 Say it. 219 00:24:09,200 --> 00:24:11,202 I'm here for a reason. 220 00:24:13,760 --> 00:24:15,091 Cool. 221 00:24:16,600 --> 00:24:19,570 All right, man. Have fun. 222 00:24:46,600 --> 00:24:48,125 All right, gang, "Whiplash." 223 00:24:48,880 --> 00:24:52,407 A little under tempo, okay? Neiman, just do your best. 224 00:24:55,040 --> 00:24:56,530 Here we go. 225 00:24:57,000 --> 00:24:58,081 Five, six, and... 226 00:25:14,760 --> 00:25:16,842 Let's hear some fills. 227 00:25:27,400 --> 00:25:28,640 We got Buddy Rich here. 228 00:25:38,040 --> 00:25:40,520 A little trouble there. Just pick it up at 17. 229 00:25:43,000 --> 00:25:44,411 Ready? 230 00:25:45,040 --> 00:25:46,246 Five, six, and... 231 00:25:51,760 --> 00:25:53,330 Not quite my tempo. 232 00:25:54,760 --> 00:25:56,091 Here we go. 233 00:25:56,320 --> 00:25:57,526 Five, six, and... 234 00:26:00,480 --> 00:26:03,165 Downbeat on 18. Okay? Here we go. 235 00:26:04,080 --> 00:26:05,286 Five, six, and... 236 00:26:07,680 --> 00:26:10,160 Bar 17, the and of four. 237 00:26:10,360 --> 00:26:11,850 Got it? 238 00:26:12,120 --> 00:26:14,248 Five, six, seven... 239 00:26:16,760 --> 00:26:19,730 Not quite my tempo. It's all good. No worries. Here we go. 240 00:26:19,920 --> 00:26:21,968 Five, six, seven... 241 00:26:24,280 --> 00:26:26,965 You're rushing. Here we go. 242 00:26:27,320 --> 00:26:29,448 Five... Ready? Okay. 243 00:26:29,880 --> 00:26:32,008 Five, six, and... 244 00:26:34,080 --> 00:26:35,320 Dragging just a hair. 245 00:26:39,400 --> 00:26:40,890 Wait for my cue. 246 00:26:41,120 --> 00:26:43,248 Five, six, seven... 247 00:26:45,800 --> 00:26:48,849 Rushing. Five, six, and... 248 00:26:51,320 --> 00:26:54,449 Dragging. Five, six, and... 249 00:27:18,880 --> 00:27:22,202 Why do you suppose I just hurled a chair at your head, Neiman? 250 00:27:22,880 --> 00:27:24,962 I don't know. Sure you do. 251 00:27:25,480 --> 00:27:28,165 The tempo? Were you rushing or dragging? 252 00:27:30,480 --> 00:27:31,561 I don't know. 253 00:27:34,000 --> 00:27:35,525 Start. Five, six, seven... 254 00:27:35,720 --> 00:27:37,245 In four, damn it. Look at me. 255 00:27:38,000 --> 00:27:39,286 One, two, three, four. 256 00:27:39,480 --> 00:27:41,926 One, two, three, four. One, two, three... 257 00:27:42,120 --> 00:27:44,248 Now, was I rushing or was I dragging? 258 00:27:44,800 --> 00:27:46,802 I don't know. Count again. 259 00:27:47,120 --> 00:27:49,487 One, two, three, four. One, two, three, four. 260 00:27:49,680 --> 00:27:52,081 One, two, three, four. Rushing or dragging? 261 00:27:52,280 --> 00:27:54,521 Rushing. So you do know the difference. 262 00:27:54,720 --> 00:27:57,166 If you deliberately sabotage my band, 263 00:27:57,400 --> 00:27:59,209 I will fuck you like a pig. 264 00:27:59,840 --> 00:28:01,285 Now, are you a rusher, 265 00:28:01,480 --> 00:28:03,005 or are you a dragger, 266 00:28:03,240 --> 00:28:05,846 or are you gonna be on my fucking time? 267 00:28:06,080 --> 00:28:08,128 I'm gonna be on your time. 268 00:28:08,600 --> 00:28:11,171 What does that say? "Quarter note equals 215." 269 00:28:11,360 --> 00:28:13,442 Count me a 215. One, two, three, four. 270 00:28:13,640 --> 00:28:15,688 One, two, three, four. Jesus Christ. 271 00:28:15,920 --> 00:28:20,209 I didn't know they allowed retards. Am I to understand that you cannot read tempo? 272 00:28:20,400 --> 00:28:23,210 Can you even read music? What's that? Eighth note. 273 00:28:23,400 --> 00:28:25,641 Yes. What is that? Dotted 16th note. 274 00:28:26,000 --> 00:28:27,206 Sight-read measure 101. 275 00:28:28,960 --> 00:28:33,045 What, are you in a fucking a cappella group? Play the goddamn kit. 276 00:28:33,240 --> 00:28:35,447 Stop. Now answer my question. 277 00:28:35,640 --> 00:28:39,087 Were you rushing or were you dragging? 278 00:28:40,400 --> 00:28:42,004 Answer! Rushing. 279 00:28:47,000 --> 00:28:48,923 Oh, my dear God. 280 00:28:49,560 --> 00:28:52,404 Are you one of those single-tear people? 281 00:28:52,600 --> 00:28:56,491 Do I look like a double fucking rainbow to you? You must be upset. 282 00:28:56,680 --> 00:28:58,409 Are you upset? No 283 00:28:58,600 --> 00:29:00,489 No? So you just don't give a shit? 284 00:29:00,680 --> 00:29:03,889 I do give a shit. So are you upset? Yes or fucking no? 285 00:29:04,360 --> 00:29:06,089 Yes, you are upset. 286 00:29:06,280 --> 00:29:07,327 Yeah. 287 00:29:07,520 --> 00:29:09,727 Say it. I'm upset. 288 00:29:09,920 --> 00:29:12,730 Say it so the whole band can hear you. 289 00:29:13,200 --> 00:29:16,409 I'm upset Louder . 290 00:29:16,640 --> 00:29:18,768 I'm upset. Louder! 291 00:29:18,960 --> 00:29:20,325 I'm upset. 292 00:29:20,520 --> 00:29:23,888 You are a worthless, friendless, faggot-lipped piece of shit, 293 00:29:24,080 --> 00:29:27,562 whose Mommy left Daddy when she figured out he wasn't Eugene O'Neill. 294 00:29:27,760 --> 00:29:30,445 Who's now weeping and slobbering all over my drum set 295 00:29:30,640 --> 00:29:32,563 like a fucking 9-year-old girl. 296 00:29:32,760 --> 00:29:35,684 So for the final father-fucking time, 297 00:29:35,880 --> 00:29:38,326 say it louder! I'm upset! 298 00:29:38,720 --> 00:29:40,370 Carl. 299 00:29:41,800 --> 00:29:44,485 Start practicing harder, Neiman. 300 00:29:45,760 --> 00:29:49,367 "Whiplash," bar 125. 301 00:29:49,600 --> 00:29:51,728 Big-boy tempo. 302 00:29:51,920 --> 00:29:53,001 Five, six, and... 303 00:32:28,120 --> 00:32:29,281 This place is nice. 304 00:32:29,640 --> 00:32:33,804 Yeah. I really like the music that they play. 305 00:32:34,000 --> 00:32:35,001 Mm. 306 00:32:35,160 --> 00:32:38,801 I mean, the food's good too, but... No, the pizza's really good. 307 00:32:40,600 --> 00:32:42,045 "When I Wake." 308 00:32:42,600 --> 00:32:44,648 What? That's the name of the song. 309 00:32:45,080 --> 00:32:46,127 Oh. Ha, ha. 310 00:32:46,360 --> 00:32:50,126 Jackie Hill, July 17th, 1938. 311 00:32:50,360 --> 00:32:52,124 Bob Ellis on the drums. 312 00:32:54,120 --> 00:32:57,841 Every time I saw you at the theater, your eyes were glued to the floor. 313 00:32:58,080 --> 00:33:00,811 Really? Oh... Mm-hm. 314 00:33:01,600 --> 00:33:05,241 My dad says that I have... I have trouble making eye contact. 315 00:33:06,200 --> 00:33:09,409 My parents like to criticize me too. 316 00:33:09,600 --> 00:33:12,444 Growing up, my mom said I had a really big chin, 317 00:33:12,640 --> 00:33:14,324 that's why guys wouldn't like me. 318 00:33:14,520 --> 00:33:16,090 Really? You don't. Yeah. 319 00:33:16,280 --> 00:33:18,408 Well, she said my dad cursed me with one. 320 00:33:18,640 --> 00:33:20,961 It's like Jay Leno. Look. 321 00:33:21,160 --> 00:33:23,322 No, it's not. Yeah, it is. 322 00:33:23,560 --> 00:33:26,848 I don't... I don't think so at all. Well, that's nice. 323 00:33:27,040 --> 00:33:31,602 Your chin's very nice. Very nice. Ha-ha-ha. 324 00:33:32,080 --> 00:33:33,809 Your mom sounds insane. 325 00:33:34,000 --> 00:33:36,606 She did wanna be an actress when she was my age. 326 00:33:37,560 --> 00:33:40,484 What about you? What about me? 327 00:33:40,840 --> 00:33:42,126 What do you do? 328 00:33:42,640 --> 00:33:44,369 I go to Fordham. 329 00:33:45,360 --> 00:33:46,407 What do you study? 330 00:33:46,840 --> 00:33:48,888 I don't have a major yet. 331 00:33:49,600 --> 00:33:54,003 But, like, what do you want to study? I don't really know. 332 00:33:54,440 --> 00:33:56,044 I don't know yet. 333 00:33:57,120 --> 00:33:59,248 So Fordham was just like a random school? 334 00:33:59,440 --> 00:34:02,330 No, I applied to a bunch of schools, Fordham let me in. 335 00:34:02,560 --> 00:34:06,246 Why'd you pick Shaffer? It's the best music school in the country. 336 00:34:07,160 --> 00:34:08,764 Well, Fordham was Fordham. 337 00:34:21,760 --> 00:34:24,286 I don't love it there, to be honest. 338 00:34:24,600 --> 00:34:26,762 No? No. 339 00:34:27,000 --> 00:34:28,604 I... 340 00:34:28,840 --> 00:34:33,209 I don't know. I guess it's just the people. I don't know if they like me very much. 341 00:34:33,800 --> 00:34:37,521 I'm from Arizona, and I think they can see it. 342 00:34:38,120 --> 00:34:40,771 I feel the same about people at Shaffer. Yeah? 343 00:34:40,960 --> 00:34:43,281 Yeah. I don't think they like me too much. 344 00:34:43,480 --> 00:34:46,006 But I don't... I don't... 345 00:34:46,200 --> 00:34:49,329 I don't care too much. I think it just... It changes. 346 00:34:49,560 --> 00:34:52,530 You know, people change and things work out. 347 00:34:52,720 --> 00:34:54,210 No, no, I know, I know. 348 00:34:54,960 --> 00:34:56,564 I just... 349 00:34:59,520 --> 00:35:01,409 I feel really homesick sometimes. 350 00:35:04,280 --> 00:35:05,805 I don't know. 351 00:35:07,760 --> 00:35:11,128 It kind of pisses me off when people pretend like they're not. 352 00:35:11,320 --> 00:35:13,448 In college, you know? 353 00:35:14,200 --> 00:35:17,488 Maybe I'm literally the only one, I don't know. 354 00:35:21,280 --> 00:35:23,487 I still go to the movies with my dad. 355 00:35:54,920 --> 00:35:57,844 - Hey. How are you, man? - Good to see you. 356 00:35:58,040 --> 00:36:02,728 And please, is this really Eva? Wow. 357 00:36:02,920 --> 00:36:05,924 Last time I saw you, you were very tiny. 358 00:36:06,240 --> 00:36:08,208 Are you playing an instrument yet? 359 00:36:08,400 --> 00:36:09,765 She started piano last week. 360 00:36:09,960 --> 00:36:13,089 When you're a big college kid, will you come play in my band? 361 00:36:13,280 --> 00:36:15,248 Would you like that? Be my piano player? 362 00:36:15,480 --> 00:36:16,970 Excellent. Give me five, baby. 363 00:36:17,160 --> 00:36:19,083 All right. Great to see you. Great seeing you. 364 00:36:19,320 --> 00:36:21,243 See you after the show. Absolutely. 365 00:36:21,440 --> 00:36:22,885 Cheers. 366 00:36:25,600 --> 00:36:27,090 Listen up, Cocksuckers. 367 00:36:27,520 --> 00:36:29,602 Hurry the fuck up. Get your music. 368 00:36:31,960 --> 00:36:35,931 "lrene" only. Set one. Rhythm section out first. 369 00:36:36,120 --> 00:36:39,727 The kit is a fucking tonal catastrophe. Get it in tune, all right? 370 00:36:39,960 --> 00:36:42,042 Rhythm and soloists, bar 45. 371 00:36:42,240 --> 00:36:43,810 We're gonna pick up the tempo. 372 00:36:44,000 --> 00:36:48,085 Bar 106, brass, do not forget we sharp that ninth. 373 00:36:48,560 --> 00:36:51,689 Everybody remember, Lincoln Center use these competitions 374 00:36:51,880 --> 00:36:54,326 to decide who they're interested in and who they're not. 375 00:36:54,560 --> 00:36:57,882 I'm not gonna have my reputation in that department tarnished 376 00:36:58,080 --> 00:37:00,208 by a bunch of limp-dick, sour-note, 377 00:37:00,440 --> 00:37:03,603 flatter-than-their-girlfriends, flexible-tempo dipshits. 378 00:37:03,800 --> 00:37:05,609 One more thing. Give me that. 379 00:37:05,800 --> 00:37:08,406 If I ever find one of these lying around again, 380 00:37:08,600 --> 00:37:12,286 I swear to fucking God, I will stop being so polite. 381 00:37:12,480 --> 00:37:15,848 Get the fuck out of my sight before I demolish you. 382 00:37:16,160 --> 00:37:17,924 Stage right, in order, now. 383 00:37:19,920 --> 00:37:22,002 I can still fucking see you, Mini-Me! 384 00:37:33,920 --> 00:37:36,127 Let's go. Hurry the fuck up. Let's go. 385 00:37:46,880 --> 00:37:50,680 The Shaffer Conservatory Studio Band. 386 00:38:46,480 --> 00:38:48,926 Hold on to this for the second set. 387 00:38:57,640 --> 00:38:59,051 He's dumb but he's not stupid. 388 00:38:59,240 --> 00:39:01,971 At the end of the day, he wants a career, as dumb as he is. 389 00:39:02,160 --> 00:39:06,051 Fudd has a chance of getting put back in, so why would he jeopardize that? 390 00:39:06,280 --> 00:39:08,760 I need to look at the music. It's right here. 391 00:39:10,960 --> 00:39:13,361 Why isn't it on you? Where's the folder? 392 00:39:14,720 --> 00:39:17,121 You're joking. You're fucking around? No... 393 00:39:17,320 --> 00:39:20,722 I swear I had it here two seconds ago. It's gotta be around here. 394 00:39:20,960 --> 00:39:23,088 Did you see...? How could you be so stupid? 395 00:39:23,280 --> 00:39:25,647 I know. Maybe a janitor came by. A janitor? 396 00:39:25,880 --> 00:39:28,406 Find the fucking folder! A fucking janitor? 397 00:39:29,000 --> 00:39:32,129 You're a dumb fuck! A dumb fuck! 398 00:39:32,320 --> 00:39:34,243 Find the folder! Okay, I'm sorry. 399 00:39:34,440 --> 00:39:36,249 Tanner! 400 00:39:41,640 --> 00:39:44,086 Jesus fucking Christ, where have you been? 401 00:39:44,280 --> 00:39:47,011 Uh, we have an issue. Okay, now is not the time. 402 00:39:47,400 --> 00:39:50,643 I gave Neiman the folder and Neiman lost it. 403 00:39:50,840 --> 00:39:53,081 Neiman lost it. Yes, sir. 404 00:39:53,320 --> 00:39:55,243 The folder was your responsibility. 405 00:39:55,440 --> 00:39:57,647 Why would you give it to Neiman? Right? 406 00:39:57,840 --> 00:40:01,162 Give a calculator to a retard, he's gonna turn on a TV with it. 407 00:40:01,360 --> 00:40:04,728 Get your sticks, get your ass on-stage. I... I can't. 408 00:40:05,520 --> 00:40:06,885 You can't? 409 00:40:07,080 --> 00:40:11,404 I... I can't go on-stage. I don't know the charts by heart. 410 00:40:13,160 --> 00:40:16,369 Are you fucking kidding me? I... You know this. 411 00:40:16,720 --> 00:40:19,200 I need the music. It's my memory, I need visual cues. 412 00:40:19,400 --> 00:40:21,289 Visual cues. Yes. It's a medical... 413 00:40:21,520 --> 00:40:23,648 A medical condition? What, are you Sanjay Gupta? 414 00:40:23,840 --> 00:40:25,126 Play the goddamn music. 415 00:40:26,280 --> 00:40:27,645 I can't. I can. 416 00:40:32,760 --> 00:40:35,445 You know "Whiplash" by heart? Yes. Every measure. 417 00:40:38,120 --> 00:40:42,125 All right. Well, you better fucking hope your memory doesn't fail you. 418 00:40:42,320 --> 00:40:45,449 I hope you play it a lot better than you did last month. 419 00:40:45,640 --> 00:40:47,483 I do not intend to start losing. 420 00:40:47,680 --> 00:40:50,524 Get your sticks and get your ass on-stage. On-stage! 421 00:42:16,000 --> 00:42:17,923 And in first place, 422 00:42:18,120 --> 00:42:20,009 Shaffer Conservatory. 423 00:42:33,600 --> 00:42:36,365 Hey. Don't fucking touch my folder, man. 424 00:42:46,120 --> 00:42:48,407 Do not touch this kit. 425 00:42:53,280 --> 00:42:55,760 All right, let's get to work, ladies. 426 00:42:56,120 --> 00:43:00,091 Tanner, what you doing? It's core only. I don't have time for alternates. 427 00:43:01,960 --> 00:43:05,043 "Cherokee." From the top. 428 00:43:13,720 --> 00:43:17,805 Tanner, are you a fucking statue? Let's go. Get off the stool. 429 00:43:24,680 --> 00:43:28,287 Don't forget to turn Neiman's pages. Here we go. 430 00:43:28,760 --> 00:43:31,127 One, two, three, four. Two, two, three, four. 431 00:43:52,480 --> 00:43:54,050 What did you do to your hand? 432 00:43:54,400 --> 00:43:56,801 - Is that from drumming? - Yeah. It's nothing. 433 00:43:57,000 --> 00:43:59,082 So how's it going with the Studio Band? 434 00:43:59,320 --> 00:44:00,367 Good. 435 00:44:00,560 --> 00:44:02,528 Yeah, I think he likes me more now. 436 00:44:04,280 --> 00:44:07,090 And his opinion means a lot to you, doesn't it? 437 00:44:08,400 --> 00:44:09,481 Yeah. 438 00:44:12,200 --> 00:44:13,531 Wanna grab the shakers? 439 00:44:15,200 --> 00:44:17,521 Jimbo? Overcooked. 440 00:44:17,720 --> 00:44:18,881 You can barely chew this. 441 00:44:21,000 --> 00:44:23,765 He just laughs. So how's the drumming going, Andy? 442 00:44:24,280 --> 00:44:27,921 Yeah, it's going really well. I'm the new core drummer, so... 443 00:44:28,120 --> 00:44:31,602 - Hey. - Congratulations. 444 00:44:31,800 --> 00:44:33,290 Tom Brady. 445 00:44:34,480 --> 00:44:36,209 Did you hear, Jim? No, what? 446 00:44:36,440 --> 00:44:39,728 Trav got named this year's MVP. That's fantastic, Travis. 447 00:44:39,920 --> 00:44:42,400 Yeah, and Dustin is heading up Model UN, 448 00:44:42,600 --> 00:44:45,410 soon to be Rhodes Scholar and who knows what else. 449 00:44:45,760 --> 00:44:47,683 And Jim, teacher of the year. 450 00:44:47,880 --> 00:44:49,689 - Well, hey, listen... - I mean, come on. 451 00:44:49,880 --> 00:44:52,247 The talent at this table, that is stunning. 452 00:44:53,520 --> 00:44:56,683 And Andy, with your drumming. It's going okay, Andy? 453 00:44:56,920 --> 00:44:59,321 Yeah, it's going really, really well, actually. 454 00:44:59,520 --> 00:45:01,887 I'm part of Shaffer's top jazz orchestra, 455 00:45:02,240 --> 00:45:04,607 which means it's the best in the country. 456 00:45:04,840 --> 00:45:07,002 And I'm a core member 457 00:45:07,200 --> 00:45:09,806 so I'll start playing in competitions. I just... 458 00:45:10,000 --> 00:45:12,526 I found out I'm the youngest person in the band. 459 00:45:12,720 --> 00:45:16,566 How do you know who wins in a music competition? Isn't it subjective? 460 00:45:17,520 --> 00:45:19,648 No. Does the studio get you a job? 461 00:45:20,120 --> 00:45:21,485 It's not an actual studio. 462 00:45:21,680 --> 00:45:24,570 It's the name of the ensemble, but it's a big step forward in my career. 463 00:45:24,760 --> 00:45:27,969 I'm so glad you figured it out. It's a nasty business, I am sure. 464 00:45:28,400 --> 00:45:31,290 Hey, are you gonna tell them about your game this week? 465 00:45:31,480 --> 00:45:34,802 - Living up to your title. - I scored a 93-yard touchdown. 466 00:45:35,040 --> 00:45:36,724 School record, school record. 467 00:45:36,960 --> 00:45:39,930 Is that true? That's fantastic. It's Division Three. 468 00:45:43,560 --> 00:45:47,326 It's Carlton football. It's not even Division Two, it's Division Three. 469 00:45:48,400 --> 00:45:50,323 You got any friends, Andy? No. 470 00:45:50,560 --> 00:45:53,450 Oh, why is that? I don't know. I never saw the use. 471 00:45:53,680 --> 00:45:55,205 Who are you gonna play with otherwise? 472 00:45:55,440 --> 00:45:57,647 Lennon and McCartney were buddies. 473 00:45:57,840 --> 00:46:01,242 Charlie Parker didn't know anybody till Jo Jones threw a cymbal at his head. 474 00:46:01,480 --> 00:46:02,811 That's your idea of success? 475 00:46:03,000 --> 00:46:06,607 Being the greatest musician of the 20th century is anybody's idea of success. 476 00:46:06,800 --> 00:46:09,246 Dying broke and drunk and full of heroin 477 00:46:09,440 --> 00:46:11,841 at the age of 34 is not my idea of success. 478 00:46:12,080 --> 00:46:15,209 I'd rather die drunk, broke at 34 and have people talk about me, 479 00:46:15,400 --> 00:46:19,485 than live to be rich and sober at 90 and nobody remember who I was. 480 00:46:19,680 --> 00:46:21,967 But your friends will remember you, that's the point. 481 00:46:22,160 --> 00:46:24,600 None of us were friends with Charlie Parker. That's the point. 482 00:46:24,800 --> 00:46:28,521 Travis and Dustin, they have plenty of friends and plenty of purpose. 483 00:46:28,760 --> 00:46:30,808 They'll make great school board presidents. 484 00:46:31,000 --> 00:46:32,764 You think you're better than us? 485 00:46:32,960 --> 00:46:35,804 Catch on quick. Are you in Model UN? I got a reply for you. 486 00:46:36,000 --> 00:46:38,924 You think Carlton football is a joke? Come play with us. 487 00:46:39,120 --> 00:46:41,521 Four words you will never hear from the NFL. 488 00:46:41,720 --> 00:46:44,564 Who wants dessert? Heard from Lincoln Center? 489 00:47:17,160 --> 00:47:21,051 Okay, get out of here. Pick up the new chart by the door on your way out. 490 00:47:21,240 --> 00:47:26,406 Rehearsal 9 p.m. sharp tonight. That's how long you have to learn it. 491 00:47:31,200 --> 00:47:34,010 Neiman. Stick around a minute. Mm. 492 00:47:38,720 --> 00:47:41,246 See the tempo marking on there? Uh... 493 00:47:41,800 --> 00:47:44,246 "Quarter note equals 330." Oh. 494 00:47:44,560 --> 00:47:47,086 That is a double-time swing. 495 00:47:47,520 --> 00:47:50,763 That's what got you in here, right? Oh, yeah. 496 00:47:51,960 --> 00:47:55,407 As fate would have it, I recently stumbled across another kid 497 00:47:55,760 --> 00:47:59,082 in the practice room working on his double-time swing. 498 00:47:59,520 --> 00:48:00,680 So I'm gonna give him a shot. 499 00:48:02,440 --> 00:48:04,761 Am I late? Perfect timing. 500 00:48:04,960 --> 00:48:06,803 Come on in, Connolly. 501 00:48:07,000 --> 00:48:10,288 Uh, you two know each other, right? Yeah, Nassau band. 502 00:48:10,480 --> 00:48:11,527 What's up, Andrew? 503 00:48:12,480 --> 00:48:16,724 I've made Neiman a temporary core, but with this competition coming up 504 00:48:16,920 --> 00:48:20,367 I just wanna make very sure this chart is in the best shape it can be. 505 00:48:20,560 --> 00:48:22,483 Yeah, this one right here, right? 506 00:48:24,800 --> 00:48:27,246 I gave Connolly the chart this morning. 507 00:48:27,440 --> 00:48:30,444 All I wanna do is give you both a crack at it, all right? 508 00:48:30,640 --> 00:48:33,803 So, Neiman, go ahead, jump on the kit, take it from the top. 509 00:48:34,000 --> 00:48:35,445 Okay. 510 00:48:38,000 --> 00:48:41,288 I don't want you to worry about hits now. Just tempo, okay? 511 00:48:46,520 --> 00:48:48,010 All set? 512 00:48:49,160 --> 00:48:51,162 One, two... 513 00:48:57,440 --> 00:48:59,283 Not quite my tempo. Connolly. 514 00:48:59,480 --> 00:49:02,211 I can take it from the top. Connolly, go ahead. 515 00:49:02,400 --> 00:49:05,483 I can do... No. We'll go with Connolly now. 516 00:49:11,680 --> 00:49:13,091 Hey, do you mind? 517 00:49:19,920 --> 00:49:21,649 Okay, man, ready? Mm-hm. 518 00:49:21,960 --> 00:49:24,691 One and two and... 519 00:49:31,280 --> 00:49:33,009 Perfect, Connolly. Oh, my God. 520 00:49:33,240 --> 00:49:36,289 See, this to me is the beauty of Studio Band. 521 00:49:36,480 --> 00:49:39,165 You walk in here an alternate, you could be the new core. 522 00:49:39,360 --> 00:49:41,408 Oh, my God, are you serious? Thanks. 523 00:49:41,600 --> 00:49:43,648 That shit? 524 00:49:47,560 --> 00:49:49,164 Fletcher. 525 00:49:50,160 --> 00:49:52,766 Thanks, man. Here you go. 526 00:49:53,640 --> 00:49:56,405 Don't worry about Fletcher. He's more bark than bite. 527 00:50:03,120 --> 00:50:05,282 Hey, look, you... I can play these charts. 528 00:50:05,520 --> 00:50:08,683 Now is not the time, I swear to God. I can play it, okay? 529 00:50:08,880 --> 00:50:12,327 I said not now! If you want the fucking part, earn it. 530 00:50:32,080 --> 00:50:33,809 I'm just gonna lay it out there. 531 00:50:34,000 --> 00:50:36,651 This is why I don't think we should be together. 532 00:50:37,560 --> 00:50:41,007 And I've thought about it a lot, and this is what's gonna happen. 533 00:50:41,200 --> 00:50:43,487 I'm gonna keep pursuing what I'm pursuing. 534 00:50:43,720 --> 00:50:46,530 Because I'm doing that, it's gonna take up my time. 535 00:50:46,720 --> 00:50:49,041 I'm not gonna be able to spend time with you. 536 00:50:49,240 --> 00:50:51,720 Even when I do, I'm gonna be thinking about drumming. 537 00:50:51,920 --> 00:50:55,845 About jazz, my charts. Because of that, you're gonna start to resent me. 538 00:50:56,440 --> 00:51:00,365 You're gonna tell me to ease up on the drumming, spend more time with you. 539 00:51:00,560 --> 00:51:05,122 I'm not gonna be able to do that. I'll start to resent you for even asking me to stop. 540 00:51:05,320 --> 00:51:08,642 We're just gonna start to hate each other. It's gonna be ugly. 541 00:51:08,840 --> 00:51:10,683 And so for those reasons, 542 00:51:10,920 --> 00:51:13,969 I'd rather just, you know, break it off clean. 543 00:51:21,720 --> 00:51:23,802 Because I wanna be great. 544 00:51:25,960 --> 00:51:28,122 And you're not? 545 00:51:29,560 --> 00:51:31,483 I wanna be one of the greats. 546 00:51:33,040 --> 00:51:35,850 And I would stop you from doing that? 547 00:51:37,200 --> 00:51:38,804 Yeah. 548 00:51:41,000 --> 00:51:43,207 You know I would stop you from doing that? 549 00:51:43,400 --> 00:51:45,687 You know that for a fact? 550 00:51:45,880 --> 00:51:47,405 Yes. 551 00:51:49,880 --> 00:51:52,565 And I'd barely see you anyway? 552 00:51:54,680 --> 00:51:57,001 Yeah. When I see you, you'd treat me like shit 553 00:51:57,200 --> 00:51:59,771 because I'm some girl who doesn't know what she wants. 554 00:51:59,960 --> 00:52:03,567 You have a path, you're going to be great, I'm gonna be forgotten, 555 00:52:03,800 --> 00:52:06,280 and you won't be able to give me the time of day 556 00:52:06,480 --> 00:52:09,404 because you have bigger things to pursue. 557 00:52:11,960 --> 00:52:13,200 That's exactly my point. 558 00:52:13,440 --> 00:52:15,681 What the fuck is wrong with you? 559 00:52:18,200 --> 00:52:20,168 You're right. We should not be dating. 560 00:52:28,080 --> 00:52:30,082 I'm okay. Thanks. 561 00:52:43,280 --> 00:52:45,408 Fuck! Fuck! 562 00:53:04,320 --> 00:53:05,890 Fucking piece of shit! 563 00:53:06,120 --> 00:53:07,690 Fuck you! 564 00:53:07,880 --> 00:53:09,370 Fuck! 565 00:53:09,840 --> 00:53:12,241 Fucking piece of shit! Come on! 566 00:53:23,960 --> 00:53:25,803 Um... 567 00:53:27,640 --> 00:53:30,928 Sorry, we have a new player. Ryan Connolly. 568 00:53:31,800 --> 00:53:33,689 Um... Ahem. 569 00:53:35,560 --> 00:53:37,289 I'm sorry. 570 00:53:37,680 --> 00:53:40,251 Guys, just put your instruments down for a minute. 571 00:53:54,360 --> 00:53:56,442 Just listen for a minute. 572 00:54:01,320 --> 00:54:03,402 Six years ago... 573 00:54:04,920 --> 00:54:09,005 I came across a kid in a practice room working on his scales. 574 00:54:09,680 --> 00:54:14,368 He was early second year and he'd started at Shaffer with a lot of hope. 575 00:54:17,160 --> 00:54:19,083 Like all you guys. 576 00:54:21,480 --> 00:54:26,327 But the truth was that he barely squeaked in to begin with... 577 00:54:29,000 --> 00:54:31,128 And he was really struggling. 578 00:54:34,440 --> 00:54:38,923 The faculty were all telling him, "Maybe this isn't for you." 579 00:54:40,920 --> 00:54:43,048 But they didn't see what I saw. 580 00:54:43,240 --> 00:54:46,164 This scared, skinny kid 581 00:54:46,360 --> 00:54:49,967 cursing himself because he couldn't get his scales right. 582 00:54:50,160 --> 00:54:52,481 I saw a drive in him. 583 00:54:52,720 --> 00:54:55,371 And I put him in Studio Band. 584 00:54:55,600 --> 00:54:57,329 And when he graduated, 585 00:54:57,560 --> 00:55:00,803 Marsalis made him third trumpet at Lincoln Center. 586 00:55:01,000 --> 00:55:03,571 A year later, he was first. 587 00:55:03,760 --> 00:55:05,842 That's who you're listening to now. 588 00:55:07,560 --> 00:55:10,086 His name was Sean Casey. 589 00:55:18,120 --> 00:55:20,521 I found out this morning... 590 00:55:21,720 --> 00:55:23,449 that Sean... 591 00:55:25,400 --> 00:55:27,607 died yesterday... 592 00:55:29,400 --> 00:55:31,562 in a car accident. 593 00:55:35,200 --> 00:55:36,690 And I just... 594 00:55:38,920 --> 00:55:42,402 I wanted you guys to know he was a beautiful player. 595 00:55:49,160 --> 00:55:51,322 I just thought you should know. 596 00:55:59,000 --> 00:56:00,684 I'm sorry. 597 00:56:04,920 --> 00:56:06,410 Okay. 598 00:56:08,600 --> 00:56:15,210 Let's get to work, huh? How about "Caravan," bar 105? 599 00:56:20,840 --> 00:56:22,842 Two bars for free. 600 00:56:23,240 --> 00:56:25,049 One and two and... 601 00:56:30,440 --> 00:56:32,124 It's not quite right, Connolly. Um... 602 00:56:33,760 --> 00:56:35,444 I'd like to try Neiman on this. 603 00:56:40,560 --> 00:56:43,211 Maybe now's the time for Neiman to earn the part. 604 00:56:46,920 --> 00:56:48,490 One and two and... 605 00:56:52,000 --> 00:56:54,765 Nope, I guess not. Tanner? 606 00:57:05,520 --> 00:57:07,249 One and two and... 607 00:57:08,120 --> 00:57:09,849 Motherfucker! 608 00:57:12,080 --> 00:57:14,811 Connolly, get your ass back on the kit. 609 00:57:20,760 --> 00:57:24,651 We will stay here for as long as it takes until one of you faggots can play in time. 610 00:57:25,480 --> 00:57:27,323 One and two and... 611 00:57:29,440 --> 00:57:32,364 Looks like that might be all night. Neiman. 612 00:57:34,320 --> 00:57:37,130 One and two and... 613 00:57:37,320 --> 00:57:38,890 Not my fucking tempo! 614 00:57:42,040 --> 00:57:44,771 Sorry, guys. Hate to put you through this. 615 00:57:46,480 --> 00:57:49,370 If you need to fucking take a dump or get a coffee, 616 00:57:49,560 --> 00:57:51,210 whatever, now might be a good time. 617 00:57:51,440 --> 00:57:55,240 We're gonna stay until I find a drummer who can fucking play in time. 618 00:57:55,440 --> 00:57:58,011 I apologize to the musicians. 619 00:57:58,240 --> 00:58:01,323 Seriously, take 10, 20, a fucking hour. 620 00:58:01,520 --> 00:58:04,808 You hear me, cocksuckers? Better start shitting me perfect 400s. 621 00:58:05,040 --> 00:58:07,202 Connolly, get your fucking ass back on the kit. 622 00:58:22,720 --> 00:58:26,805 Is that really the fastest you can play, you worthless Hymie fuck? 623 00:58:27,680 --> 00:58:31,127 No wonder Mommy ran out on you. Get off the fucking kit. 624 00:58:33,360 --> 00:58:39,083 And here comes Mr. Gay Pride of the Upper West Side himself. 625 00:58:39,320 --> 00:58:43,530 This is not a Bette Midler concert. We will not be serving baked Alaska, 626 00:58:43,720 --> 00:58:46,724 so just play faster than you give hand jobs, will you? 627 00:58:46,960 --> 00:58:48,928 One, two, one, two. 628 00:58:51,840 --> 00:58:53,046 Not even fucking close. 629 00:58:53,240 --> 00:58:55,686 Let's go with the Irish Mick Paddy cracker now. 630 00:58:55,920 --> 00:58:58,969 You know, you actually do look quite a bit like a leprechaun. 631 00:58:59,160 --> 00:59:00,924 I'm gonna start calling you Flannery. 632 00:59:22,240 --> 00:59:23,924 Get off! 633 00:59:27,520 --> 00:59:30,000 What are you looking for? There's no gold down there. 634 00:59:30,200 --> 00:59:31,645 Adjusting the seat? Really? 635 00:59:31,880 --> 00:59:34,360 That's been your problem the whole time? The seat height? 636 00:59:34,560 --> 00:59:36,130 So now you have it, right? 637 00:59:36,440 --> 00:59:38,044 Go. 638 00:59:43,360 --> 00:59:44,850 Bullshit! Fuck you! 639 00:59:45,480 --> 00:59:47,050 Neiman. 640 00:59:50,520 --> 00:59:53,126 Maybe it's time 641 00:59:53,360 --> 00:59:56,648 to finally bring this home. What do you say? 642 00:59:57,000 --> 00:59:58,525 Show me. 643 01:00:02,320 --> 01:00:03,367 Don't slow down. 644 01:00:06,920 --> 01:00:08,604 Pick it up. 645 01:00:10,000 --> 01:00:11,923 Faster! 646 01:00:29,040 --> 01:00:30,724 Faster! 647 01:00:37,240 --> 01:00:38,810 Faster! 648 01:00:41,520 --> 01:00:42,646 Faster! 649 01:00:43,080 --> 01:00:44,844 Faster! 650 01:00:52,880 --> 01:00:54,689 Keep playing! 651 01:00:57,640 --> 01:01:00,530 Keep playing! Keep playing! Keep playing! 652 01:01:02,360 --> 01:01:04,203 Don't stop. 653 01:01:20,640 --> 01:01:22,483 Neiman, 654 01:01:24,040 --> 01:01:25,280 you earned the part. 655 01:01:28,480 --> 01:01:31,882 Alternates, you wanna clean the blood off my drum set? 656 01:01:35,040 --> 01:01:37,247 Okay, we can start now. 657 01:01:59,480 --> 01:02:02,848 5 p.m. call tomorrow in Dunellen. 658 01:02:03,520 --> 01:02:07,161 Give yourselves at least two hours to get there this time, all right? 659 01:02:07,360 --> 01:02:09,044 Save your travel receipts. 660 01:02:09,520 --> 01:02:12,171 Or don't. I don't give a shit. 661 01:03:17,520 --> 01:03:20,569 Do you know where the cabs are? You gotta call the cabs. 662 01:03:20,760 --> 01:03:23,650 The cab was supposed to be here. You gotta call. They take forever. 663 01:03:23,840 --> 01:03:25,171 How do I get to Hargrove? 664 01:03:31,640 --> 01:03:34,405 Hey. Come on. Please, come on. You're still open. 665 01:03:34,600 --> 01:03:37,331 You're still open. Come on. Come on. Come on. 666 01:03:53,200 --> 01:03:54,247 Yeah, hello? 667 01:03:54,440 --> 01:03:56,807 Neiman, where are you, man? Call time was 5. 668 01:03:57,000 --> 01:03:59,844 I know, I know. I'm almost there. I'm right there. 669 01:04:00,040 --> 01:04:01,883 We're on-stage in 20. I know. 670 01:04:02,080 --> 01:04:04,731 Fletcher's got Connolly warming up. God fucking da... Okay. 671 01:04:04,920 --> 01:04:06,843 You just tell that little fucking redhead I'll... 672 01:04:07,040 --> 01:04:08,690 I'm gonna be there, okay? Fuck. 673 01:04:10,840 --> 01:04:12,683 Hey. Hey. Sorry I'm late. 674 01:04:13,040 --> 01:04:16,169 Well, glad you could fit us into your busy schedule, darling. 675 01:04:16,360 --> 01:04:18,328 I'm sorry I'm late. I'm ready to go. 676 01:04:18,520 --> 01:04:21,091 Connolly's playing the part. Like fucking hell. 677 01:04:21,280 --> 01:04:22,725 What the fuck did you say to me? 678 01:04:25,960 --> 01:04:27,007 It's my part. 679 01:04:27,200 --> 01:04:29,885 It's my part and I decide who to lend it to. 680 01:04:30,880 --> 01:04:33,963 Usually it's somebody that has fucking sticks. 681 01:04:35,400 --> 01:04:38,006 I left them in the car. I'll be right back. Five minutes. 682 01:04:38,200 --> 01:04:39,565 I'm warming up the band now. 683 01:04:39,920 --> 01:04:43,163 I can use Ryan's sticks. Neiman, you lost the fucking part. 684 01:04:43,400 --> 01:04:45,243 No, I didn't. You can't do this. 685 01:04:45,480 --> 01:04:46,527 Can't? Yeah. 686 01:04:46,720 --> 01:04:49,121 When did you become a fucking expert on what I can do, 687 01:04:49,360 --> 01:04:52,204 you fucking weepy-willow shit sack? I earned that part. 688 01:04:52,400 --> 01:04:55,131 You never earned anything. You are a self-righteous prick. 689 01:04:55,480 --> 01:04:58,927 The only reason you're a fucking core is because you misplaced a folder. 690 01:04:59,160 --> 01:05:02,482 Only reason you're in Studio Band to begin with is because I told you 691 01:05:02,680 --> 01:05:04,728 what I'd be asking for in Nassau. 692 01:05:04,960 --> 01:05:06,166 Am I wrong? Yeah. 693 01:05:06,360 --> 01:05:07,646 I'm in Studio Band because I'm the best... 694 01:05:07,880 --> 01:05:08,927 Back off. 695 01:05:09,120 --> 01:05:11,646 Hey, fuck off, Johnny Utah. Turn my pages, bitch. 696 01:05:12,040 --> 01:05:14,691 Hey. I can cut you any fucking time I want. 697 01:05:14,880 --> 01:05:17,850 You would've cut me by now. Try me, you fucking weasel. 698 01:05:19,760 --> 01:05:23,526 At 5:30, that's in exactly 11 minutes, my band is on-stage. 699 01:05:23,720 --> 01:05:26,963 If your ass is not on that stool with your own sticks in hand, 700 01:05:27,160 --> 01:05:29,208 or if you make one fucking mistake, 701 01:05:29,440 --> 01:05:32,364 one, I will drum your ass back to Nassau 702 01:05:32,560 --> 01:05:35,882 where you can turn pages until you graduate or fucking drop out. 703 01:05:36,080 --> 01:05:39,971 By the time you're done at Shaffer, you'll make Daddy look like a success story. 704 01:05:40,200 --> 01:05:43,409 Got it? Or we can let Johnny Utah play the part. 705 01:05:43,760 --> 01:05:46,445 You choose. That's my part. I'll be on your stage. 706 01:05:46,640 --> 01:05:48,160 - Fuck you. - You got 10 minutes, 707 01:05:48,320 --> 01:05:51,164 you fucking pathetic, pansy-ass fruit fuck. 708 01:06:01,120 --> 01:06:03,726 - Tell Fletcher I'm coming. - What's taking you so long? 709 01:06:03,920 --> 01:06:07,049 We're moving on-stage. I got locked in my car. I'm coming. 710 01:06:07,240 --> 01:06:09,004 Left turn, 200 feet. 711 01:06:09,200 --> 01:06:11,089 Are you driving? No. 712 01:06:11,320 --> 01:06:12,845 What the hell was that noise? 713 01:06:13,040 --> 01:06:17,602 Okay, why don't you just tell Fletcher that I'm coming, you motherfucker? 714 01:07:01,800 --> 01:07:03,006 Hey. Hey, hey. 715 01:07:03,240 --> 01:07:06,164 Are you okay? Are you okay? 716 01:07:06,360 --> 01:07:09,250 I gotta get my sticks. No, stay away from the car. 717 01:07:09,440 --> 01:07:11,408 I've called 911. Look, I gotta go. 718 01:07:11,600 --> 01:07:13,602 No, no, sir. A couple more blocks. 719 01:07:13,840 --> 01:07:16,081 Sir, no, you don't have to... Please get off me. 720 01:07:46,800 --> 01:07:49,565 Hey, guy. What the fuck happened to you? 721 01:07:55,440 --> 01:07:59,081 The Shaffer Conservatory Studio Band. 722 01:08:56,440 --> 01:08:57,601 Neiman, what the fuck? 723 01:09:10,400 --> 01:09:12,164 Fuck. 724 01:09:39,080 --> 01:09:40,809 Neiman... 725 01:09:44,080 --> 01:09:45,411 You're done. 726 01:09:55,800 --> 01:09:58,644 Gentlemen, ladies, I apologize 727 01:09:58,880 --> 01:10:01,724 on behalf of Shaffer Conservatory. 728 01:10:06,520 --> 01:10:08,284 Piece of shit. I'll fucking kill you. 729 01:10:08,920 --> 01:10:10,490 - Fuck you. - Get the... 730 01:10:10,720 --> 01:10:13,041 Get the fuck off me. Get off me. Fuck off. 731 01:10:16,720 --> 01:10:18,051 Fuck you. 732 01:10:18,640 --> 01:10:19,926 Fuck you! 733 01:10:20,120 --> 01:10:22,122 Fuck you, Fletcher! Fuck you! 734 01:10:22,360 --> 01:10:25,125 Get off. Fuck. Piece of shit! 735 01:10:25,360 --> 01:10:27,044 Fuck you! 736 01:10:42,240 --> 01:10:44,004 When did you start talking to her? 737 01:10:44,200 --> 01:10:46,567 Your father got in contact this week. 738 01:10:47,040 --> 01:10:49,520 Does the name Sean Casey mean anything to you? 739 01:10:50,320 --> 01:10:52,322 You know of his death? 740 01:10:53,080 --> 01:10:56,050 Last month, he hanged himself in his apartment. 741 01:11:00,680 --> 01:11:02,205 What does that have to do with me? 742 01:11:02,440 --> 01:11:04,681 He suffered from anxiety and depression. 743 01:11:04,880 --> 01:11:08,282 His mother claims this started during his time as Fletcher's student. 744 01:11:09,280 --> 01:11:13,251 Now, the Caseys aren't wealthy, they don't wanna file suit. 745 01:11:15,200 --> 01:11:18,249 So, what do they want? 746 01:11:18,720 --> 01:11:22,327 To make sure Terence Fletcher is never allowed to do this to another student. 747 01:11:47,880 --> 01:11:49,920 Hey, Dad, look at my paradiddle. 748 01:11:52,040 --> 01:11:54,486 Yeah, that's my boy. 749 01:11:54,680 --> 01:11:58,571 He didn't do anything. What is wrong with you? It's over, okay? 750 01:11:58,760 --> 01:12:01,366 He's out of your life. Why would you let him get away? 751 01:12:01,560 --> 01:12:04,928 Would you characterize his conduct as extreme, Andrew? 752 01:12:05,280 --> 01:12:08,602 Did he ever intentionally inflict emotional distress? 753 01:12:17,560 --> 01:12:20,291 This would not be a public hearing, you know. 754 01:12:20,520 --> 01:12:23,842 Fletcher would never know it was you who spoke up. 755 01:12:29,880 --> 01:12:31,484 Why would you do this to me? 756 01:12:32,600 --> 01:12:35,843 Do you think that I would let him put my son through hell 757 01:12:36,080 --> 01:12:38,481 and then just walk away scot-free? 758 01:12:38,800 --> 01:12:41,451 Don't you know I would never let that happen? 759 01:12:41,640 --> 01:12:46,441 That there is nothing in the world more important to me than you? 760 01:12:46,640 --> 01:12:48,563 Don't you know that? 761 01:12:59,280 --> 01:13:00,964 Andrew? 762 01:13:47,960 --> 01:13:49,689 Andrew? 763 01:13:54,280 --> 01:13:56,442 Just tell me what to say. 764 01:14:09,200 --> 01:14:10,611 Hey- 765 01:14:28,880 --> 01:14:31,451 I'd give anything to be there again this fall. 766 01:14:31,640 --> 01:14:33,881 I like weddings, provided they're not mine. 767 01:14:34,080 --> 01:14:35,525 Marriages are very healthy. 768 01:14:35,720 --> 01:14:38,007 Married men live much longer than bachelors. 769 01:14:38,240 --> 01:14:41,562 They're trying to outlive their wives so they can be bachelors again. 770 01:14:41,760 --> 01:14:43,560 Haven't you thought of getting married? 771 01:14:43,720 --> 01:14:44,767 I did. 772 01:14:45,000 --> 01:14:47,082 The young lady changed her mind at the last moment. 773 01:14:47,280 --> 01:14:50,011 I've been deeply indebted to her ever since. 774 01:14:50,200 --> 01:14:52,521 And I loaded the pantry up with Gushers. 775 01:14:52,720 --> 01:14:55,087 Saw that. Okay. 776 01:14:55,360 --> 01:14:56,885 All right. 777 01:14:58,080 --> 01:14:59,570 Thanks. 778 01:17:19,600 --> 01:17:21,125 Right on, man. 779 01:17:40,440 --> 01:17:42,044 Andrew. 780 01:17:47,080 --> 01:17:48,525 Hey. 781 01:17:55,280 --> 01:17:57,123 I don't know if you heard. Uh... 782 01:17:58,240 --> 01:18:00,402 I'm not at Shaffer anymore. 783 01:18:01,160 --> 01:18:03,811 Yeah, I did hear that. 784 01:18:04,560 --> 01:18:05,800 Did you quit? 785 01:18:08,000 --> 01:18:09,889 Not exactly. 786 01:18:11,200 --> 01:18:15,285 Some parents got a kid from Sean Casey's year, I think, 787 01:18:15,480 --> 01:18:18,370 to say some things about me. 788 01:18:18,560 --> 01:18:20,881 Although why anybody would have anything 789 01:18:21,080 --> 01:18:24,050 other than peaches and cream to say about me is a mystery. 790 01:18:26,160 --> 01:18:27,650 Yeah. 791 01:18:28,280 --> 01:18:30,123 That's a good laugh, right? I'm sorry. 792 01:18:30,320 --> 01:18:32,084 No, listen... I get it. I'm sorry. 793 01:18:32,280 --> 01:18:34,248 I know I made enemies. 794 01:18:35,640 --> 01:18:38,041 I'm conducting a little, though. 795 01:18:39,400 --> 01:18:42,404 They brought back the JVC Fest this year. 796 01:18:42,600 --> 01:18:45,649 They got me opening in a couple of weeks with a pro band. 797 01:18:46,680 --> 01:18:48,409 That's great. 798 01:18:50,160 --> 01:18:51,400 Yeah. It's all right. 799 01:18:54,040 --> 01:18:58,841 Truth is, I don't think people understood 800 01:18:59,080 --> 01:19:01,731 what it was I was doing at Shaffer. 801 01:19:01,960 --> 01:19:03,564 I wasn't there to conduct. 802 01:19:03,800 --> 01:19:07,327 Any fucking moron can wave his arms and keep people in tempo. 803 01:19:07,520 --> 01:19:12,082 I was there to push people beyond what's expected of them. 804 01:19:14,040 --> 01:19:15,929 I believe that is... 805 01:19:17,320 --> 01:19:19,846 an absolute necessity. 806 01:19:21,560 --> 01:19:24,769 Otherwise, we're depriving the world of the next Louis Armstrong. 807 01:19:25,080 --> 01:19:26,525 The next Charlie Parker. 808 01:19:28,800 --> 01:19:32,361 I told you about how Charlie Parker became Charlie Parker, right? 809 01:19:32,560 --> 01:19:35,370 Jo Jones threw a cymbal at his head. Exactly. 810 01:19:35,560 --> 01:19:37,688 Parker's a young kid, pretty good on the sax. 811 01:19:37,880 --> 01:19:42,522 Gets up to play at a cutting session, and he fucks it up. 812 01:19:43,640 --> 01:19:46,530 And Jones nearly decapitates him for it. 813 01:19:46,760 --> 01:19:49,366 And he's laughed off-stage. 814 01:19:49,680 --> 01:19:53,321 Cries himself to sleep that night, but the next morning, what does he do? 815 01:19:53,520 --> 01:19:55,488 He practices. 816 01:19:55,840 --> 01:19:59,640 And he practices and he practices with one goal in mind, 817 01:19:59,840 --> 01:20:02,446 never to be laughed at again. 818 01:20:02,760 --> 01:20:07,607 And a year later, he goes back to the Reno and he steps up on that stage, 819 01:20:07,800 --> 01:20:11,327 and plays the best motherfucking solo the world has ever heard. 820 01:20:14,920 --> 01:20:17,491 So imagine if Jones had just said: 821 01:20:17,680 --> 01:20:22,766 "Well, that's okay, Charlie. That was all right. Good job." 822 01:20:23,640 --> 01:20:28,009 And then Charlie thinks to himself, "Well, shit, I did do a pretty good job." 823 01:20:28,880 --> 01:20:30,041 End of story. 824 01:20:30,240 --> 01:20:31,924 No Bird. 825 01:20:33,800 --> 01:20:37,407 That, to me, is an absolute tragedy. 826 01:20:38,000 --> 01:20:40,765 But that's just what the world wants now. 827 01:20:41,080 --> 01:20:44,129 People wonder why jazz is dying. 828 01:20:48,360 --> 01:20:52,524 I tell you, man, and every Starbucks "jazz" album 829 01:20:52,720 --> 01:20:55,166 just proves my point, really. 830 01:20:55,880 --> 01:21:00,681 There are no two words in the English language more harmful 831 01:21:00,880 --> 01:21:02,723 than "good job." 832 01:21:07,200 --> 01:21:09,202 But is there a line? 833 01:21:10,200 --> 01:21:13,921 You know, maybe you go too far and you discourage the next Charlie Parker 834 01:21:14,120 --> 01:21:18,170 from ever becoming Charlie Parker. No, man, no. 835 01:21:18,360 --> 01:21:21,762 Because the next Charlie Parker would never be discouraged. 836 01:21:22,080 --> 01:21:23,570 Yeah. 837 01:21:29,160 --> 01:21:31,640 The truth is, Andrew... 838 01:21:33,360 --> 01:21:36,011 I never really had a Charlie Parker. 839 01:21:38,840 --> 01:21:40,729 But I tried. 840 01:21:41,440 --> 01:21:44,284 I actually fucking tried. 841 01:21:44,480 --> 01:21:46,403 And that's more than most people ever do. 842 01:21:46,600 --> 01:21:51,845 And I will never apologize for how I tried. 843 01:22:05,240 --> 01:22:06,446 I'll see you later. 844 01:22:06,640 --> 01:22:07,801 Yeah. 845 01:22:09,560 --> 01:22:13,406 Hey, Andrew. Listen, I have no idea how you're gonna take this, 846 01:22:13,600 --> 01:22:19,767 but the band I'm leading for JVC, my drummer is not cutting it. 847 01:22:21,320 --> 01:22:23,368 You understand what I'm saying? 848 01:22:25,360 --> 01:22:26,441 No. 849 01:22:26,640 --> 01:22:28,927 I'm using the Studio Band playlist. 850 01:22:29,120 --> 01:22:32,488 You know, "Caravan," "Whiplash." 851 01:22:33,320 --> 01:22:35,402 I need somebody who really knows those charts. 852 01:22:39,360 --> 01:22:40,964 What about Ryan Connolly? 853 01:22:42,200 --> 01:22:44,680 All Connolly ever was to me was incentive for you. 854 01:22:46,240 --> 01:22:49,767 Tanner? Tanner switched to premed. 855 01:22:50,840 --> 01:22:52,330 I guess he got discouraged. 856 01:22:54,840 --> 01:22:56,444 Hey. Uh... 857 01:22:56,840 --> 01:22:59,207 Take the weekend. Think about it. 858 01:23:21,280 --> 01:23:23,965 - Hello? - Hey, Nicole, it's Andrew. 859 01:23:25,760 --> 01:23:28,445 Hi. Hey. 860 01:23:29,320 --> 01:23:35,521 It's been a while since I talked to you. Um... 861 01:23:35,720 --> 01:23:37,609 Look, l... 862 01:23:37,800 --> 01:23:41,122 I'm really sorry about everything. 863 01:23:41,320 --> 01:23:47,885 I know that's not, you know, enough, but I'm just really sorry. Um... 864 01:23:52,120 --> 01:23:56,409 But anyway, I got... I actually have this show this weekend. 865 01:23:56,600 --> 01:23:58,284 It's a, uh... 866 01:23:58,480 --> 01:24:01,802 Like, a JVC thing. And I didn't know if maybe you'd wanna go, 867 01:24:02,000 --> 01:24:07,643 and we, you know, maybe get some, like, pizza afterwards, 868 01:24:07,840 --> 01:24:12,607 And, like, complain about our schools again. 869 01:24:12,800 --> 01:24:14,882 What is...? You said Jayvees? 870 01:24:15,080 --> 01:24:18,084 No, it's, heh, JVC. 871 01:24:18,320 --> 01:24:22,450 It's like a... It's a jazz thing. 872 01:24:22,960 --> 01:24:24,405 Yeah. 873 01:24:24,600 --> 01:24:26,284 Oh, okay. 874 01:24:27,160 --> 01:24:33,361 Well, I don't know if I can come. I... I'll have to check with my boyfriend. 875 01:24:38,280 --> 01:24:39,645 Okay. 876 01:24:39,880 --> 01:24:41,405 Yeah. 877 01:24:42,960 --> 01:24:45,247 Yeah, I'll check, but I don't know. 878 01:24:45,440 --> 01:24:47,727 I don't really think he likes jazz music. 879 01:24:47,920 --> 01:24:50,685 Yeah, I mean, it's not for everybody. 880 01:24:53,320 --> 01:24:57,484 Okay. Well, I guess maybe I'll see you guys there. 881 01:24:58,400 --> 01:25:00,926 Okay. Okay. 882 01:25:01,120 --> 01:25:02,565 Bye. 883 01:26:26,400 --> 01:26:30,121 All right, gang, listen up. Now, for those of you who are new at this, 884 01:26:30,320 --> 01:26:34,723 which looks like everybody except Cal, tonight could change your life. 885 01:26:35,120 --> 01:26:40,331 The folks out there make a phone call, you could be a Blue Note signee, 886 01:26:40,520 --> 01:26:44,081 an EMC client, a Lincoln Center core. 887 01:26:45,080 --> 01:26:46,127 On the other hand, 888 01:26:46,320 --> 01:26:49,767 if you drop the ball, you might be looking for a new line of work 889 01:26:49,960 --> 01:26:54,761 because the other thing about these cats is they never forget. 890 01:26:58,200 --> 01:26:59,804 We all set? 891 01:27:00,000 --> 01:27:02,844 All right. Let's have fun. 892 01:28:04,560 --> 01:28:06,801 You think I'm fucking stupid? 893 01:28:07,440 --> 01:28:10,410 What? I know it was you. 894 01:28:24,160 --> 01:28:26,049 Thank you, ladies and gentlemen. 895 01:28:26,240 --> 01:28:29,926 We're very excited to be here kicking off the JVC Festival this year. 896 01:28:30,120 --> 01:28:33,249 I'm Terence Fletcher, these are some of the best musicians in New York, 897 01:28:33,440 --> 01:28:36,205 which means they're some of the best musicians in the world. 898 01:28:36,400 --> 01:28:40,450 We're gonna do some old standards, but we're gonna start with a new tune 899 01:28:40,640 --> 01:28:43,325 by Tim Simonec called "Upswingin'." 900 01:29:28,600 --> 01:29:30,887 What the fuck you doing? 901 01:29:43,360 --> 01:29:44,441 Come on, man. 902 01:30:48,560 --> 01:30:51,040 Yeah, I guess maybe you don't have it. 903 01:31:28,480 --> 01:31:32,849 That was a little extra avant-garde there from the rhythm section. 904 01:31:42,840 --> 01:31:45,411 Come on, let's go home. 905 01:31:54,560 --> 01:31:56,164 What are you doing? 906 01:32:12,760 --> 01:32:14,000 Uh... 907 01:32:14,200 --> 01:32:16,851 Now we're gonna slow it down a little bit. 908 01:32:17,040 --> 01:32:19,008 I'm guessing most of you folks have heard... 909 01:32:32,560 --> 01:32:33,607 I'll cue you in. 910 01:32:33,800 --> 01:32:35,928 "Caravan." 911 01:32:37,880 --> 01:32:38,927 Three, four. 912 01:33:37,000 --> 01:33:39,082 I'm gonna gouge out your motherfucking eyes. 913 01:37:21,920 --> 01:37:24,890 Andrew, what are you doing, man? I'll cue you.